Regardless of what type of artist you may be portfolio is your business card. It is your resume, marketing tool, an ad and a statement in one. It says "look this is what I can do and that is my style". It is also a self-check medium for you as the author of its content. There is no time frame within which you should review your folio. you should do it as often as needed, or as often as you feel it is necessary. If you are like me and you love editing your photos, love learning and are on a constant  hunt for new ideas, new ways of retouching, new ways of toning images and so on, you will realize two things very quickly. One is that the quality of your work improves with passing time, and two, that your style is evolving. Consequently, if you have a mix of old and new images in your folio, it may happen so that some of them may become outdated and inconsistent in terms of their style. This sends a clear message to your clients that you are not a mature artist, or perhaps a lazy one, who cannot see inconsistency in his or her own work, etc. All that suggests unreliability. Also, clients will choose you mainly for your style and quality of work. They do not know you in person, so all they know about you is what they can see in your portfolio. It is essential to develop a self assessment routine and implement it rigorously in your timetable. Yes, it is time consuming, but it is worth it in more ways than one.

Look at the above images which were created within less than a year. The top one is a new version and the bottom one was created last year. It is a whole new edit from scratch, and you do not have to take my word for it, just watch the video below which shows the entire editing workflow in photoshop.

Both photos are very different in style and quality. First the quality of texture is much better in the new edit. Old version suffered from texture loss due to blur vignetting done manually without working on tones layer and texture layer separately. This is something I would not do now. Also, skin texture received a much more detailed retouch via micro dodging and burning which eliminates small skin bumps amplified by the hard steep angled light. Vignetting is executed very selectively in the new photo, and it complements the way I reshaped the body of the model with shadows and highlights. The entire image was turned on its axis counter-clockwise to add more kinetic energy and create diagonal lines across the image. They contrast with a general calm and moody feel to the photo. The old edit was a bit too static for my liking and was not multilayered. Dodging and burning emphasizes the drama and creates more visual anchors. I added a tilt shift blur to redirect the attention of the viewer to the body art and lines running across model's body. I also changed the toning to much warmer, which further calms the feel of the photo.

There are no happy accidents here, it is all planned and premeditated based on what I feel when I look at the photo. The old edit was not in full agreement with my current style and it had to be addressed. I truly enjoy re-working my images. Some of them I re-edit a few times, even complex photoshop manipulations. I do not care how much time it takes. It is always a very rewarding and educational experience.

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html
Photo blog: http://www.japan-in-photography.com/
Facebook: https://www.facebook.com/ponteryuurui
Twitter: https://twitter.com/PonteRyuurui
Google+: https://plus.google.com/u/0/+PonteRyuurui/postsFor more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

Neither. It all depends on what mood you are after in your photos. I use studio for specific types of photography. Inside the studio I shoot fine art nudes, calligraphy body art, and dramatic portraits or portraits I use for photoshop manipulations. Outdoors I shoot urban portraits, natural light portraits, where I have the advantage of choosing from variety of backgrounds. On the other hand, I can create dramatic light outdoors as well with the help of flash photography. By combining natural light and flashes I am able to capture images that would not be possible to create in ambient light.

I find myself shooting outside more often, because I like the endless possibilities of what surrounding world has to offer. Whether it is city or nature the options are limitless. Studio photography usually has a very stiff and artificial feel to it, but it doesn't have to be so. It all depends on how skilled are you with controlling the light and how good of a connection you have with your model. Outdoors and indoors portrait photography come with challenges that you will need to face. Outside you have to be in control of the background, and also very skilled with understanding the ambient light and how to bend it to your will. It is much harder to control ambient light than artificial studio flashes.

When you choose between indoors or outdoors portrait photography always think about what is the theme, what effect you are after and who you are shooting and why. That should give you a clear answer on where to shoot. The most important is to capture your model at their best, and choice of a location is just another tool like your camera or lenses.

Props, make up, hair stylist and all of these are all great, but so much more can be done in terms of creative portrait photography during photo retouching process. For me photoshop is a doorway to complete artistic freedom. Being able to do anything I want with a photo in post production offers not only much more room during shooting, but also allows me to complete my vision and achieve that perfect mood I was after in a comfort of my digital dark room. I always shoot with a vision of post processing, and photoshop skills are an essential tool not just in my career as photographer, but more importantly as an artist. During the shoot I know exactly how much I can or cannot get away with, what I can or cannot remove or change, which elements of the photo I will use, or what other photos I need to take to complete the image. It is like a puzzle and hell of a fun as well. I love teaching photography and photoshop and I always try to show to others how important and powerful post processing skills can be. For me a photographer who cannot or does not want to edit his work is crippled or has limited imagination. There are occasions when a photo will require a minimum of editing, and I have those as well in my portfolio, but it is not really what the argument is about. The whole point of photo retouching is to give it your own personal finishing touch. For me capturing an image is 50% of work done, and sometimes much much less than 50%. Photo editing will broaden your horizons, your artistic sensitivity, the way you look at details and notice them, the way you take photos, the way you understand light and human anatomy, how to work and combine colors in the scene, how to notice an image in a chaos around you, how to compose images, and so much more. My advise to you is simple - if you want to sail the vast oceans of creativity and not just the seas, master the art of photo retouching, composite photography and even photo manipulation. It is a whole new world.

model: Mandy JanePortrait photography service, Tokyo - website
http://www.portrait-photography-tokyo.com/
Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html
Photo blog: http://www.japan-in-photography.com/
Facebook: https://www.facebook.com/ponteryuurui
Twitter: https://twitter.com/PonteRyuurui
Google+: https://plus.google.com/u/0/+PonteRyuurui/posts
For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

Taking photos of what you can see around you is a great fun and can be done in many inventive ways. However, you could push your imagination much further by creating a scene that does exists nowhere else but inside your head. I was out on a shoot with a Tokyo based model Mandy Jane, and we were taking some portraits in  a park, and I spotted a small patch of mossy tree roots on the ground. The sun came up and lit the whole scene, and it looked like from a fantasy wold. Immediately I saw a complete image in my mind. All I needed was a few photos put together inside photoshop, a bit of tinkering, color toning and viola. Modern photography is offering us so much potential it can be overwhelming, but do not let that massive world of endless possibilities intimidate you. Remember, the only limit to what you can do is one that you restrict yourself with. Any type of art is about discovery of self through expressing thoughts, feelings and emotions that are a result of an artist being able to see surrounding world differently. Do not be afraid or shy about sharing it, it is your world, be proud of it. I will use anything I can use, and if I cannot and need it then I will learn how to use it, to express what I feel or see. It can be camera, photoshop, 3D program, manipulated scenery - I honestly do not mind. all I care about is the final result. (see the final photo in high quality)

Private photoshop workshops via skype - http://www.ryuurui.com/photo-retouching-lessons.html
My portrait photography service, Tokyo - website
http://www.portrait-photography-tokyo.com/
Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html
Photo blog: http://www.japan-in-photography.com/
Facebook: https://www.facebook.com/ponteryuurui
Twitter: https://twitter.com/PonteRyuurui
Google+: https://plus.google.com/u/0/+PonteRyuurui/posts

For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ