Fine art nude photography is hands-down one of the most difficult types of photography out there. There many factors that have to play in harmony together for the final image to be sensual, powerful, intriguing, natural and sexy at the same time. Your first barrier is your attitude as a photographer or an artist (or both in one, preferably). Model not only has to trust you implicitly, but she also has to feel completely relaxed and safe. Her body language has to be fluid and tension free, otherwise you are both wasting  your time. If you work with professional nude models then they are used to posing nude and some of them are more comfortable nude than posing to portraits. But don't be shy asking models, who even specify in their folio or website that they do not shoot nudes, if they would be interested in such photoshoot. Remember that women (especially attractive women) are bombarded with all kinds of advances on a daily basis. Most of those advances are shocking or just plain sloppy, so naturally their defense and self preservation instinct kicks in, and rightly so. So what can you do then. Build your folio with quality images only: solid composition, good lighting and skilled editing. Those do not have to be nude shots, just images that will tell the model what type of person you are, what artistic sensitivity you have, and what drives your passion for photography. Let your images talk for you. If a model likes your photographs she will most likely be interested in working with you. Then make an effort to look through her folio and see what she likes. Ask her to send you sample images from the net or her own, so you can learn what is appealing to her. I cannot stress enough how important that is. Get to know your models' personality. It not only is essential for you to understanding them, but more importantly shows that you actually care about them as human beings, and not just as a subject for the lens. Then just ask her if should be keen on shooting portraits or street fashion, which will give you a chance to meet and connect. When you meet in person you have a ground to judge when (or if) is the right moment to ask her about a nude shoot. Remember, it is not what you say but when and how.

Make absolutely clear what is the purpose of the shoot, how you will use the images and what images you will be publishing and where, and what she is getting out of it. Whether it is money or photos, you have to be clear about it. Just put all cards on the table so there is no guessing or misunderstandings. Do not surprise them with something they did not expect during the shoot. In best case scenario it will create a barrier and you will have to deal with fake and stressed body language. Remember they are nude, respect that.

Next, you should have some knowledge of human anatomy and how light can affect it. Learn how muscles move and align, how body moves, what poses or angles are in symbiosis with give type of light. Watch professional dancers in slow motion and see how graceful their movements are. Observe women on daily basis and learn, how they react, what they do with their hands, how they tilt heads and what emotion caused it, how they smile or fall deep into thoughts. Those emotions can be evoked or ruined by words. Choose them carefully.

You will be posing the model, yes, but photos should appear not posed and natural. Real life reactions are your best school of what is natural, but there are other sources of inspiration. Try to deconstruct fine art nudes from world class photographers (they don't have to be famous, they just have to be bloody good), especially the light and how it falls. Watch how women photographers capture nudes, they have different sensitivity and you can learn a ton. Unlike dancing, the trick here is to capture that balance in a single frame, a frame that is still, and viewer's eye has to glide through the image without abruptly colliding with composition issues. Stop thinking like a man, start feeling like an artist. If you really passionate about light and shadows, forms and creating, you will forget you have a nude model posing for you.

You will need at least basic understanding of how light works and what can be done with it. In fact becoming obsessed with light is your aim. For me nude photography is all about game of shadows. I do not see body parts, I see lines, shapes and the power of composition. Imagine that light falling on model's skin is like lingerie. Dress your model with it in away that she is sexy as hell but sublime and feminine, she doesn't excite but intrigues and stuns, she is not revealing but alluring, she ceases to be a model and becomes a wonder of light and shadows.

Contact me directly for one-to-one online photoshop tutorials via desktop sharing.
Portrait photography service, Tokyo - website
http://www.portrait-photography-tokyo.com/
Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
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Oracle bone script is the oldest officially recognized Chinese calligraphy script, and it goes back all the way to Shang dynasty, starting around 1600 BCE. It appeared on animal bones (mostly ox shoulder blades) and turtle shells. It was used by priest diviners who were acting as oracles, and also were responsible for recording important state events. Texts were carved onto the bones and then heated up in fire until they cracked. Those cracks, their shape, and the way they visually interacted with the text were considered and interpreted as signs of the gods.

Oracle bone script is often seen as pictographic writing but only a small percentage of characters that have been deciphered are actually of pictographic nature. You can read about this in greater details in my article on oracle bone script here. This is the first time I actually wrote oracle bone script on skin. I have been studying it a few years ago during  master classes organized by a Grand Master Kajita Esshu of the All Japan Calligraphy and Literature Association, who happens to be my calligraphy teacher. It was a small group for those who wish to go beyond regular studies of Chinese calligraphy. It was a great experience to actually translated some of this ancient writing and find out more about ancient Chinese civilization.

Oracle bone script, and any type of great seal script really, requires patience. Writing should imitate chiseled characters with fairly sharp lines well defined strokes. It should appear raw and unpolished, irregular yet harmonious. Writing on skin imposes many challenges. Skin is uneven, it stretches too especially when model changes her pose. Writing itself is quite tiring because positions I have to write in are uncomfortable. Models lay down for the most part of it, first reason is that it is comfortable for them (in fact it is so comfortable and relaxing that literally all of them fall asleep in a process) and second is that it minimizes body movement and heaving. Calligraphy that you see on pictures took me about 3h to finish.

We had a great two days shoot with Naomi, who flew all the way from Kyushu to Tokyo. This type of shoot requires lot of preparations, especially on my side, and also photo retouching is not as easy. Skin retouching is time consuming and one needs a lot of patience for it, but skin covered in writing is on entirely different level. It is not just down to splitting tones and textures in photoshop via frequency separation, but also separating tones from one another and lots of fine tuning and very local and taxing dodging and burning, etc. Nude photography is unforgiving as there is no chance to hide body language imperfections with clothing. There is no fancy dress that will draw attention away from the model like in fashion photography. Working with flashes that offer no modelling light one has to know how light works and predict its effect. Low key dramatic photos are based on shapes of shadows, light fall off is usually quite dramatic so shadows are well defined and rapid. A centimeter of movement can ruin or improve a photo. Last but not least, if the model does not trust the artist it will show in the photos clear as day, just like a lack of skill and knowledge shows in writing of a Chinese or Japanese calligrapher who has not mastered his art yet.

Models interested in Chinese or Japanese calligraphy body art please message me directly.  You can find my portfolio here.

Contact me directly for one-to-one online photoshop tutorials via desktop sharing.

Portrait photography service, Tokyo - website
http://www.portrait-photography-tokyo.com/
Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html
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First, you need to have a solid basics in photoshop (or any other software that allows you to work with multiple layers). It is essential for working non destructively and also with multiple elements. Photoshop manipulations can have 100s of layers and 10s of complex groups of layers.
Second, you need to reach into your creative side of the brain and think what theme, what idea, what environment, what details you will be needing to complete the final image. It does not have to be superbly precise but more or less you should set a direction or a theme, which can be altered or improved while you are putting it all together. You will need either stock images or your own photos. I prefer to use my own photos for the main subject, which in my case are models and stock images for completing the details. This gives me not only a greater connection and understanding of the mood, concept and idea behind the shoot (most of the time I shoot certain poses specifically for a photo manipualation, just like I did with this image that you can  see below), but also I know exactly what lens and what angle my photo was taken at, which leads us to the next valid point of a successful photoshop manipulation.

Third, you need to understand and follow three fundamental rules of successful composite photography:
1. Perspective
2. Angles
3. Colors & tones

You have to match the perspective, focal length and the angle of all the items that you place on your image. If you do not, human eye will detect it and render it as fake or not believable. The model has to match the ground, all the elements need to be following the same lines towards the vanishing point. It is good to match the depth of field too, or in other words make sure that the plane of focus is uniform across the image.
Fourth, you will need a lot of patience because all good things take time, and believe me when I tell you that good photo manipulaton can take days to finish. Yes, I said days. The photo you see here is over 600 photoshop layers heavy, took me nearly 40h to complete. I am extremely detailed when I work on any of my images, whether it is portrait retouching or architecture photography, and I want to make sure that when I am done, the photo will look good not only on tiny iphne screen on instacrap. Here you can watch a full workflow in photoshop to see how much work went into details during creation of this composite.

Fifth is to never give up even if you are failing.My oldest photoshop manipulations are terribad and that is fine. There is no progress without an error, and no discovery without failures. It is all a learning process and if you do not start you will never get into it. Look at the best work out there, the best concept artists and so on and look up to those who are better than yourself. That is the only way to grow and succeed. Have fun!

Contact me directly for one-to-one online photoshop tutorials via desktop sharing.

Portrait photography service, Tokyo - website
http://www.portrait-photography-tokyo.com/
Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html
Photo blog: http://www.japan-in-photography.com/
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For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

Regardless of what type of artist you may be portfolio is your business card. It is your resume, marketing tool, an ad and a statement in one. It says "look this is what I can do and that is my style". It is also a self-check medium for you as the author of its content. There is no time frame within which you should review your folio. you should do it as often as needed, or as often as you feel it is necessary. If you are like me and you love editing your photos, love learning and are on a constant  hunt for new ideas, new ways of retouching, new ways of toning images and so on, you will realize two things very quickly. One is that the quality of your work improves with passing time, and two, that your style is evolving. Consequently, if you have a mix of old and new images in your folio, it may happen so that some of them may become outdated and inconsistent in terms of their style. This sends a clear message to your clients that you are not a mature artist, or perhaps a lazy one, who cannot see inconsistency in his or her own work, etc. All that suggests unreliability. Also, clients will choose you mainly for your style and quality of work. They do not know you in person, so all they know about you is what they can see in your portfolio. It is essential to develop a self assessment routine and implement it rigorously in your timetable. Yes, it is time consuming, but it is worth it in more ways than one.

Look at the above images which were created within less than a year. The top one is a new version and the bottom one was created last year. It is a whole new edit from scratch, and you do not have to take my word for it, just watch the video below which shows the entire editing workflow in photoshop.

Both photos are very different in style and quality. First the quality of texture is much better in the new edit. Old version suffered from texture loss due to blur vignetting done manually without working on tones layer and texture layer separately. This is something I would not do now. Also, skin texture received a much more detailed retouch via micro dodging and burning which eliminates small skin bumps amplified by the hard steep angled light. Vignetting is executed very selectively in the new photo, and it complements the way I reshaped the body of the model with shadows and highlights. The entire image was turned on its axis counter-clockwise to add more kinetic energy and create diagonal lines across the image. They contrast with a general calm and moody feel to the photo. The old edit was a bit too static for my liking and was not multilayered. Dodging and burning emphasizes the drama and creates more visual anchors. I added a tilt shift blur to redirect the attention of the viewer to the body art and lines running across model's body. I also changed the toning to much warmer, which further calms the feel of the photo.

There are no happy accidents here, it is all planned and premeditated based on what I feel when I look at the photo. The old edit was not in full agreement with my current style and it had to be addressed. I truly enjoy re-working my images. Some of them I re-edit a few times, even complex photoshop manipulations. I do not care how much time it takes. It is always a very rewarding and educational experience.

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html
Photo blog: http://www.japan-in-photography.com/
Facebook: https://www.facebook.com/ponteryuurui
Twitter: https://twitter.com/PonteRyuurui
Google+: https://plus.google.com/u/0/+PonteRyuurui/postsFor more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

It is possible that computers and robotics will kill us all off at some point but I plan to have as much fun with technology as possible until it happens. It is all down to learning the tools and how to use them in conjunction with one another, and it can be overwhelming in case of programs like photoshop, but it can be learned, and once you do you just down want to go back (if you are interested in learning photoshop, photo editing or photo manipulation - contact me directly and we can discuss private workshops). The same as it happened with cameras, when the digital ones phased out the film cameras. I know that film is still in use, but in all honesty, why bother. Digital is far more fun, clean and does not honk. Digital art and the literally endless creative possibilities it offers is all too good to pass on. I am already working on merging 2D with 3D and going completely mental with my sci fi projects. 

Girls interested in a photo shoot - currently looking for female models in Tokyo area interested in cyber sci fi art, Japanese calligraphy body art, or portrait shots. I am always looking for new faces and bodies so e-mail me in interested.  

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Sci fi sexy cyborg girl photoshop manipulation speed art video

I decided to go fucking nuts with this one and spend tons of time polishing the details of the engine parts, armor and then blending the image with a background. The most time consuming part was creating the armor and all adding all the details, joints, engines, lights, lines, and so on. The final image is about 10,000 x 6000 pixels, so I am posting two 100% crops of the original image, so you can see some close ups. Good composite photography and photoshop manipulation are all about matching the light, perspective, and color. Having some sort of idea or a artistic concept of which direction to go with the image is also very helpful. Although I haven't used any reference photos, it often helps to look at some examples in case you need to get inspired. I have recorded a video on how tis image was created, from start to finish, and I will post it tomorrow on my Youtube channel. If you want to learn advanced photoshop and photo manipulation / composite photography, then check my photoshop workshops (one to one and online via desktop sharing).

My Youtube channel with free photoshop tutorials
Photography workshops in Tokyo - click for more details.
Hire a photographer in Tokyo
Buy original Chinese and Japanese calligraphy art
Check out my new portrait photography website!

I am working on a  new sexy cyborg girl photoshop manipulation, and it looks like this one will be by far the most complex one have created so far. I am about half way through and I already started a 145th layer in photoshop. The more details are in a composite image the better, and the more work you put into polishing those details the better, and those details take a lot of time. I ve been working on this 6h so far, and it seems that another 5h or so should do it. Regardless the time spent, I love working on my hot cyber girl army and sci fi projects. Very relaxing and keeps me sane in this more and more retarded world. Anyways, I thought I will share with you an something that is being created at the very moment. If you want to learn advanced photoshop and photo manipulation / composite photography, then check my photoshop workshops (one to one and online via desktop sharing). 

My Youtube channel with free photoshop tutorials
Photography workshops in Tokyo - click for more details.
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details

I took this photo today at my place. We had an amazing back light pouring through the window, being diffused by a paper cloth screen. I was taking photos for a new sci fi cyber girl photoshop manipulation and I just could not resist not taking a few silhouetted shots. So I brought this one into photoshop and had a bit of fun with it, added some textures, selective vignetting, my Chinese calligraphy art in ancient seal script, and the wings to complete the composition and add some mystery and fantasy elements to the photo. The text reads 別天地 and it means another world. Photography is great and all but photo editing, and especially photo manipulation and composite photography, is where the real creative fun starts. I find it very artistically fulfilling and relaxing at the same time. 

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Hire a photographer in Tokyo
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Flash photography has the great advantage of offering an immense control over light. You can sculpt it and bend it the way you want. It is great in working in confined spaces, where strobes would blast the place with light like x-rays. Flash throws some very hard light, but when softened up with some light modifiers like softboxes is just amazing. Here is a result of a short photoshoot at my place today, I added my calligraphy to make the image a bit more interesting and dill the negative space to the left. I dropped the opacity so the attention goes to the model, which is mirrored by the faded kanji (麗 - graceful).

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model: Eccaia

Any type of photography that involves photographing people is based on some sort of a relationship between the model and the photographer. Naturally this applies to any type of art, like sculpture, or painting. Portrait photography for example is more difficult than people may think. Often times I have to be able to capture the real character and personality on my camera, after meeting them only a few minutes earlier. It is our job as photographers to be able to connect, to reach through all the social masks and safety doors, and get through to the core of a person. On top of this we have to be able to evoke real emotions, and be fast enough to photograph them before they fade away. Now, boudoir or nude photography brings this to a higher level. A model is trusting us with her intimacy, and it is crucial to respect it. I don't know about you but I love working with the same models over and over, as the more we work together the better the photos will be. Look at painters, they all had their favourite models, and for a good reason. It is a unique bond of mutual appreciation and trust, difficult to build, but easy to lose. Then there is body painting or in my case calligraphy body art. Ask a professional photographer if he would dare to touch a female model during a nude shoot. I highly doubt it. I have to spend hours (full body texts can take as long as 4h or more of continuous writing) touching the model head to toes during writing. This is one of the most intimate types of photography out there, and it could not be done without a really good understanding or trust. Respect and understand your models guys, listen to them and learn, and you will get great results.

My Youtube channel with free photoshop tutorials
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model: Asuka

This is a re-edited version of a photo that I took back in 2013 with one of my most favorite texts  - the Buddhist Heart Sutra. This is my copy of a classic by Wang Xizhi from the 4th century C.E. in semi-cursive script. I gave this photo an old distressed look, as if it was recovered from an old building or some forgotten drawer on an attic in the distant future. The scratched-like text to the right is in oracle bone script and reads "Tokyo 2015". I think the original mood of the photo fits perfectly for such a dramatic edit. This photo now tells many different stories.

Girls interested in boudoir / nude / body art shoot please contact me directly (Tokyo area).

My Youtube channel with free photoshop tutorials
Photography workshops in Tokyo - click for more details.
Hire a photographer in Tokyo
Buy original Chinese and Japanese calligraphy art
Check out my new portrait photography website!

Nude photography requires a lot of trust. Body art requires even more trust, as I have to touch my models to write on them, and sometimes I can write for a few hours, depending on the length of the text. Erotic photography goes further into the personal space of your model, so you really have to have her trust to be able to capture something truly exciting, but at the same time natural and not staged. Photography is the art of capturing the light and telling story with highlights and shadows. Why not convey something that entangles the mind, making you wander into the realm of eroticism. 

model: Eccaia

My Youtube channel with free photoshop tutorials
Photography workshops in Tokyo - click for more details.
Hire a photographer in Tokyo
Buy original Chinese and Japanese calligraphy art

Working on photos and editing tons of shots may lead to tunnel vision and resulting in similar type of edits. Lots of people use presets, not even knowing what they do. That includes the professional photographers as well. Some people don't even possess the skill to edit their own work, which is pretty scary. It is like a cook who buys veggies on the market and calls for help to cook the meal. Learning and studying will develop your artistic vision, and it is most likely to change over the time. I learn new skills on a daily basis, and my photoshop techniques improve quite rapidly. I am often revisiting some of my favoring works and re-editing them applying what I have learned since I worked on them. Sometimes I give photos a new twist. All in all I love editing 1 photo in many different ways. It leads to amazing discoveries. In this case the reason for editing is complex. One, is that I love this shot. Two, is that I love this calligraphy classic, and three is that this very classic is one of the mandatory subjects for my Master Instructor exams in calligraphy this year. 

model: Asuka / Japanese calligraphy - my copy of a Chinese classic Shu Pu from the early Tang Dynasty (7th century) by Sun Guoting, who was an absolute genius of cursive script. 

Here is a new edit of a shot from last year, with a Japanese model Asuka. My pohoto retouching style has evolved so dramatically, that I am re-editing all my photos taken 6 months ago and before. Lots of work, especially that new photos are coming in nearly on a daily basis. It is important to keep the portfolio up to date and all photos there should be consistent in style. Anyways, I enjoy editing photos, so I am having fun, especially that it is really cool to see new editions and new versions, and having a chance to compare how I evolve as an artist. This is a fragment of Heart Sutra, it is a copy of a masterpiece from Tang Dynasty by a great calligrapher Ouyang Xun, in standard script.


Female models in Tokyo area interested in a photoshop, please contact me directly.
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One of my older Japanese body art shots, from a photo shoot back in 2012 wiith a Japanese model Asuka. Text reads: 櫻吹雪, i.e. - snowstorm of sakura petals. I gave this photo a new look, much more moody, dramatic but at the same time intimate and mysterious. High contrast, low key and slight blur on the edges. Girls interested in body art photo shoot please contact me directly (Tokyo area only). You can view some of my other body art photos, as well as boudoir shots on my portfolio on SmugMug, here.

All right ladies, if you wish to have beautiful sexy yet delicate and tasteful photos, feel free to contact me for a photo shoot. Whether it is portraiture, sensual portraiture, delicate and feminine boudoir or simply casual portraits or head shots, I can easily adopt my skills and style to your needs. Do not worry if you are not a model, or have no experience, in fact, I prefer it sometimes, as I can capture some very raw and sincere images. Just like when I am studying Japanese calligraphy, the same in portraiture, I am always seeking the person inside you, the real you. I will make you look and feel radiant and gorgeous, so you will have a wonderful memory for years to come. I work mainly in Greater Tokyo, but can travel too, it is just a matter of discussing the details.

model: Eccaia

Each type of photography requires different set of skills and artistic sensitivity. For example, street photography asks you to make a connection with the buzz around, to possess a certain level predictability of upcoming events, and even compassion. Architecture photography requires geometrical imagination, or the gift of seeing the world in black and white tones. Wildlife photography will test your patience and even how you can deal with loneliness. Portraiture, on the other hand, will test your personal and psychological skills. A good portrait photographer has to have an outstanding understanding of human nature, and needs to be able to connect with the person he photographs, and reach deep inside, bypassing any social masks and ego. If the portrait has no soul written all over it, you do not have a good shot.


Model: Lin Lynn

This is the eights photo of the recent Chinese calligraphy body art photo shoot series, with a Japanese model Asuka. Here, I decided to go heavier down the vintage path, by maintaining the some contrast between shadows and highlights, but at the same time I smoothed the tones and selectively blurred the edges of the photo. I really like the final result, hope you guys enjoy it as well! It looked quite nice crossed processed in a motion picture style (blue shadows / orange-ish highlights), but black and white is much more classe and allows for the eyes to focus on the writing, rather than the whole scene.

This photo was not shot in high key, but I made it look like it was. The morning light was backlighting the whole body frame of the model, and the sides of the photo (curtains) were drawing too much attention, so I decided to brighten up the skin and bring the entire photo to similar brightness level, and them create the contrast between the background, skin and the writing, framed by the undies and the head. Now the eyes are trapped in Chinese calligraphy written on a slender curvy body. Enjoy!



If you are into photo editing, please view my photoshop video tutorial with tons of photo editing tips and tricks.

Here is yet another shot from my recent Chinese calligraphy body art photo shoot with a Japanese model Asuka. When I was editing this photo I aimed at creating a contrast between the skin and the Chinese characters, and then the skin and the background, yet I still wanted to maintain a subtle tone transitions across the entire image. Majority of work was done manually, though I used a few filters from Topaz and Nik software. Enjoy!

Here is another capture from my recent boudoir photo shoot with a Japanese model Asuka in Tokyo. A subtle game of curves, light and brush strokes. I love seeing Chinese or Japanese calligraphy on woman's skin, I think it looks very alluring and elevates the feminine nature of such photos to another level. Toned down and non-invasive post processing method is crucial here, and it is important not to overdo it.

Girls currently residing / visiting Tokyo, who interested in a photoshoot, please feel free to contact me directly.

I had lots of fun with this photo. It was a tricky shot to take, as the background was very bright (morning sun at a steep angle), but the main subject was back of the model covered in Chinese characters. I also wanted to utilise those beautiful delicate shadows that sculpted the body form. I added some flares and bokeh`ed lights to make it more dreamy, and lazy-early-morning-like. Model: Asuka.

Girls in Tokyo area interested in boudoir or Chinese calligraphy body art photo shoot, please contact me for details.

Here is another photo from this week Chinese calligraphy body art session with a Japanese model Asuka. I had a general idea to create something delicate and sensual with this photo and I decided to merge the light tone vignette with the new blur tools in photoshop CC. There are many changes in the new photoshop version, and I highly recommend you to play around with them. The blur filters menu was expanded and new features appeared. I was trying out the new field blur, which has quite a few different options, and then masking it out with layer masks. By combining it with a bright, sort of misty vignette, it gave a very dreamy look to this photo.