Fine art nude photography is hands-down one of the most difficult types of photography out there. There many factors that have to play in harmony together for the final image to be sensual, powerful, intriguing, natural and sexy at the same time. Your first barrier is your attitude as a photographer or an artist (or both in one, preferably). Model not only has to trust you implicitly, but she also has to feel completely relaxed and safe. Her body language has to be fluid and tension free, otherwise you are both wasting  your time. If you work with professional nude models then they are used to posing nude and some of them are more comfortable nude than posing to portraits. But don't be shy asking models, who even specify in their folio or website that they do not shoot nudes, if they would be interested in such photoshoot. Remember that women (especially attractive women) are bombarded with all kinds of advances on a daily basis. Most of those advances are shocking or just plain sloppy, so naturally their defense and self preservation instinct kicks in, and rightly so. So what can you do then. Build your folio with quality images only: solid composition, good lighting and skilled editing. Those do not have to be nude shots, just images that will tell the model what type of person you are, what artistic sensitivity you have, and what drives your passion for photography. Let your images talk for you. If a model likes your photographs she will most likely be interested in working with you. Then make an effort to look through her folio and see what she likes. Ask her to send you sample images from the net or her own, so you can learn what is appealing to her. I cannot stress enough how important that is. Get to know your models' personality. It not only is essential for you to understanding them, but more importantly shows that you actually care about them as human beings, and not just as a subject for the lens. Then just ask her if should be keen on shooting portraits or street fashion, which will give you a chance to meet and connect. When you meet in person you have a ground to judge when (or if) is the right moment to ask her about a nude shoot. Remember, it is not what you say but when and how.

Make absolutely clear what is the purpose of the shoot, how you will use the images and what images you will be publishing and where, and what she is getting out of it. Whether it is money or photos, you have to be clear about it. Just put all cards on the table so there is no guessing or misunderstandings. Do not surprise them with something they did not expect during the shoot. In best case scenario it will create a barrier and you will have to deal with fake and stressed body language. Remember they are nude, respect that.

Next, you should have some knowledge of human anatomy and how light can affect it. Learn how muscles move and align, how body moves, what poses or angles are in symbiosis with give type of light. Watch professional dancers in slow motion and see how graceful their movements are. Observe women on daily basis and learn, how they react, what they do with their hands, how they tilt heads and what emotion caused it, how they smile or fall deep into thoughts. Those emotions can be evoked or ruined by words. Choose them carefully.

You will be posing the model, yes, but photos should appear not posed and natural. Real life reactions are your best school of what is natural, but there are other sources of inspiration. Try to deconstruct fine art nudes from world class photographers (they don't have to be famous, they just have to be bloody good), especially the light and how it falls. Watch how women photographers capture nudes, they have different sensitivity and you can learn a ton. Unlike dancing, the trick here is to capture that balance in a single frame, a frame that is still, and viewer's eye has to glide through the image without abruptly colliding with composition issues. Stop thinking like a man, start feeling like an artist. If you really passionate about light and shadows, forms and creating, you will forget you have a nude model posing for you.

You will need at least basic understanding of how light works and what can be done with it. In fact becoming obsessed with light is your aim. For me nude photography is all about game of shadows. I do not see body parts, I see lines, shapes and the power of composition. Imagine that light falling on model's skin is like lingerie. Dress your model with it in away that she is sexy as hell but sublime and feminine, she doesn't excite but intrigues and stuns, she is not revealing but alluring, she ceases to be a model and becomes a wonder of light and shadows.

Contact me directly for one-to-one online photoshop tutorials via desktop sharing.
Portrait photography service, Tokyo - website
http://www.portrait-photography-tokyo.com/
Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html
Photo blog: http://www.japan-in-photography.com/
Facebook: https://www.facebook.com/ponteryuurui
Twitter: https://twitter.com/PonteRyuurui
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For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

Oracle bone script is the oldest officially recognized Chinese calligraphy script, and it goes back all the way to Shang dynasty, starting around 1600 BCE. It appeared on animal bones (mostly ox shoulder blades) and turtle shells. It was used by priest diviners who were acting as oracles, and also were responsible for recording important state events. Texts were carved onto the bones and then heated up in fire until they cracked. Those cracks, their shape, and the way they visually interacted with the text were considered and interpreted as signs of the gods.

Oracle bone script is often seen as pictographic writing but only a small percentage of characters that have been deciphered are actually of pictographic nature. You can read about this in greater details in my article on oracle bone script here. This is the first time I actually wrote oracle bone script on skin. I have been studying it a few years ago during  master classes organized by a Grand Master Kajita Esshu of the All Japan Calligraphy and Literature Association, who happens to be my calligraphy teacher. It was a small group for those who wish to go beyond regular studies of Chinese calligraphy. It was a great experience to actually translated some of this ancient writing and find out more about ancient Chinese civilization.

Oracle bone script, and any type of great seal script really, requires patience. Writing should imitate chiseled characters with fairly sharp lines well defined strokes. It should appear raw and unpolished, irregular yet harmonious. Writing on skin imposes many challenges. Skin is uneven, it stretches too especially when model changes her pose. Writing itself is quite tiring because positions I have to write in are uncomfortable. Models lay down for the most part of it, first reason is that it is comfortable for them (in fact it is so comfortable and relaxing that literally all of them fall asleep in a process) and second is that it minimizes body movement and heaving. Calligraphy that you see on pictures took me about 3h to finish.

We had a great two days shoot with Naomi, who flew all the way from Kyushu to Tokyo. This type of shoot requires lot of preparations, especially on my side, and also photo retouching is not as easy. Skin retouching is time consuming and one needs a lot of patience for it, but skin covered in writing is on entirely different level. It is not just down to splitting tones and textures in photoshop via frequency separation, but also separating tones from one another and lots of fine tuning and very local and taxing dodging and burning, etc. Nude photography is unforgiving as there is no chance to hide body language imperfections with clothing. There is no fancy dress that will draw attention away from the model like in fashion photography. Working with flashes that offer no modelling light one has to know how light works and predict its effect. Low key dramatic photos are based on shapes of shadows, light fall off is usually quite dramatic so shadows are well defined and rapid. A centimeter of movement can ruin or improve a photo. Last but not least, if the model does not trust the artist it will show in the photos clear as day, just like a lack of skill and knowledge shows in writing of a Chinese or Japanese calligrapher who has not mastered his art yet.

Models interested in Chinese or Japanese calligraphy body art please message me directly.  You can find my portfolio here.

Contact me directly for one-to-one online photoshop tutorials via desktop sharing.

Portrait photography service, Tokyo - website
http://www.portrait-photography-tokyo.com/
Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html
Photo blog: http://www.japan-in-photography.com/
Facebook: https://www.facebook.com/ponteryuurui
Twitter: https://twitter.com/PonteRyuurui
Google+: https://plus.google.com/u/0/+PonteRyuurui/posts
For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

Chinese calligraphy is an ancient art, one of the oldest types of art practiced by human race. Its origins go back thousands of years back to Yangshao culture in China, or perhaps even earlier than this. Traditionally, calligraphy is practiced on paper, although poverty of some of the greatest Chinese calligraphers forced them to be creative with media. Some of them used palm leaves, others wrote with mud on temple walls. I often combine calligraphy with modern technology, and create custom backgrounds for my works inside photoshop. Occasionally you will see my calligraphy art on female skin.

This type of photography art is very rewarding, but also really exhausting and time consuming. Skin is a very difficult media to write on. it is uneven, does not absorb ink well (if at all) and skin alignment changes depending on person's movement or position. Writing full body length in reasonably small characters takes anywhere between 2 to 4h. Writing position is extremely uncomfortable and unnatural. I ask my models to lay down so they can relax. It would be too tiring for them to stand for 4h and then still have enough of zeal and spark to do a few hours shoot. Photo shoots are long and can even take 10h or so in total.

Nude photography imposes other challenges. It is extremely difficult to capture well balanced and naturally beautiful body language because there are no clothes to hide any imperfections. I am not talking here about body imperfections but issues caused by highlights and shadows. Working with flash guns that do not have modeling lights in very confined spaces that we have here in Japan (the smaller the space the harder is to control light bouncing in the room), it is extremely tricky to capture the image I envisioned. I often work with deep shadows, low key and drama, and even a centimeter of movement, either of the light or a model, can change the entire mood of the photo and ruin the shot.

My advice to anyone starting with nude photography would be to find a model that feels comfortable around you and vice versa. Make sure that you know what you are doing with lights. Beautiful girl in bad lighting will look bad. Make sure that your model is in a good mood, other wise do not even bother. If you are publishing her photos, make sure she agrees to it. Be confident but naturally confident. Women will sense immediately if you are fake. Be professional but at the same time make a mental connection with your model. Learn about female body and how to present it from angles that will make your model look sensual and not common. Each person has different body shape, so do not apply standards during your shoots. You can use them as starting point but two different girls will look differently in the same pose and light. Listen to your model suggestions and take them on board, you may learn something. I am shooting for female audience, I could not care less about men. In most cases it is women who understand and appreciate art, men just pay for it. Create for those who understand and enjoy it, not for those who buy it. There is a very fine line between delicate, erotic, and cheap. Learn how to walk that fine line but without crossing it.

First, you need to have a solid basics in photoshop (or any other software that allows you to work with multiple layers). It is essential for working non destructively and also with multiple elements. Photoshop manipulations can have 100s of layers and 10s of complex groups of layers.
Second, you need to reach into your creative side of the brain and think what theme, what idea, what environment, what details you will be needing to complete the final image. It does not have to be superbly precise but more or less you should set a direction or a theme, which can be altered or improved while you are putting it all together. You will need either stock images or your own photos. I prefer to use my own photos for the main subject, which in my case are models and stock images for completing the details. This gives me not only a greater connection and understanding of the mood, concept and idea behind the shoot (most of the time I shoot certain poses specifically for a photo manipualation, just like I did with this image that you can  see below), but also I know exactly what lens and what angle my photo was taken at, which leads us to the next valid point of a successful photoshop manipulation.

Third, you need to understand and follow three fundamental rules of successful composite photography:
1. Perspective
2. Angles
3. Colors & tones

You have to match the perspective, focal length and the angle of all the items that you place on your image. If you do not, human eye will detect it and render it as fake or not believable. The model has to match the ground, all the elements need to be following the same lines towards the vanishing point. It is good to match the depth of field too, or in other words make sure that the plane of focus is uniform across the image.
Fourth, you will need a lot of patience because all good things take time, and believe me when I tell you that good photo manipulaton can take days to finish. Yes, I said days. The photo you see here is over 600 photoshop layers heavy, took me nearly 40h to complete. I am extremely detailed when I work on any of my images, whether it is portrait retouching or architecture photography, and I want to make sure that when I am done, the photo will look good not only on tiny iphne screen on instacrap. Here you can watch a full workflow in photoshop to see how much work went into details during creation of this composite.

Fifth is to never give up even if you are failing.My oldest photoshop manipulations are terribad and that is fine. There is no progress without an error, and no discovery without failures. It is all a learning process and if you do not start you will never get into it. Look at the best work out there, the best concept artists and so on and look up to those who are better than yourself. That is the only way to grow and succeed. Have fun!

Contact me directly for one-to-one online photoshop tutorials via desktop sharing.

Portrait photography service, Tokyo - website
http://www.portrait-photography-tokyo.com/
Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html
Photo blog: http://www.japan-in-photography.com/
Facebook: https://www.facebook.com/ponteryuurui
Twitter: https://twitter.com/PonteRyuurui
Google+: https://plus.google.com/u/0/+PonteRyuurui/posts
For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

I am a multi-genre artist and consequently I have a few websites and few portfolio's. It was all too scattered so I decided to put all of my best work together in one folio, in separate categories. It took me a few days to update my entire portfolio on Smugmug. I went through all of my photos and picked those that I personally think represent what I do as an artist. New portfolio holds all types of photography: portraiture photography, architecture photography and cityscapes, street photography, photoshop manipulations and digital art, black and white photography, nature photography and landscapes, boudoir and body art photography, and Chinese and Japanese calligraphy art.

All photos are in their original size at 300dpi. Some of the files are as large as 160MB, so if you are viewing them in original size it may take some times to load them up. All of the images are quality edits which is exactly why I uploaded full size files. Enjoy!

Portrait photography service, Tokyo - website
http://www.portrait-photography-tokyo.com/
Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html
Photo blog: http://www.japan-in-photography.com/
Facebook: https://www.facebook.com/ponteryuurui
Twitter: https://twitter.com/PonteRyuurui
Google+: https://plus.google.com/u/0/+PonteRyuurui/posts
For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

Regardless of what type of artist you may be portfolio is your business card. It is your resume, marketing tool, an ad and a statement in one. It says "look this is what I can do and that is my style". It is also a self-check medium for you as the author of its content. There is no time frame within which you should review your folio. you should do it as often as needed, or as often as you feel it is necessary. If you are like me and you love editing your photos, love learning and are on a constant  hunt for new ideas, new ways of retouching, new ways of toning images and so on, you will realize two things very quickly. One is that the quality of your work improves with passing time, and two, that your style is evolving. Consequently, if you have a mix of old and new images in your folio, it may happen so that some of them may become outdated and inconsistent in terms of their style. This sends a clear message to your clients that you are not a mature artist, or perhaps a lazy one, who cannot see inconsistency in his or her own work, etc. All that suggests unreliability. Also, clients will choose you mainly for your style and quality of work. They do not know you in person, so all they know about you is what they can see in your portfolio. It is essential to develop a self assessment routine and implement it rigorously in your timetable. Yes, it is time consuming, but it is worth it in more ways than one.

Look at the above images which were created within less than a year. The top one is a new version and the bottom one was created last year. It is a whole new edit from scratch, and you do not have to take my word for it, just watch the video below which shows the entire editing workflow in photoshop.

Both photos are very different in style and quality. First the quality of texture is much better in the new edit. Old version suffered from texture loss due to blur vignetting done manually without working on tones layer and texture layer separately. This is something I would not do now. Also, skin texture received a much more detailed retouch via micro dodging and burning which eliminates small skin bumps amplified by the hard steep angled light. Vignetting is executed very selectively in the new photo, and it complements the way I reshaped the body of the model with shadows and highlights. The entire image was turned on its axis counter-clockwise to add more kinetic energy and create diagonal lines across the image. They contrast with a general calm and moody feel to the photo. The old edit was a bit too static for my liking and was not multilayered. Dodging and burning emphasizes the drama and creates more visual anchors. I added a tilt shift blur to redirect the attention of the viewer to the body art and lines running across model's body. I also changed the toning to much warmer, which further calms the feel of the photo.

There are no happy accidents here, it is all planned and premeditated based on what I feel when I look at the photo. The old edit was not in full agreement with my current style and it had to be addressed. I truly enjoy re-working my images. Some of them I re-edit a few times, even complex photoshop manipulations. I do not care how much time it takes. It is always a very rewarding and educational experience.

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html
Photo blog: http://www.japan-in-photography.com/
Facebook: https://www.facebook.com/ponteryuurui
Twitter: https://twitter.com/PonteRyuurui
Google+: https://plus.google.com/u/0/+PonteRyuurui/postsFor more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

Last year I was shooting hands of on of my body art models, she has really amazing hands. I just knew that at some point I will be using those images for photoshop manipulations. I have started to work on a new image yesterday, and I have just finished it. I created a cyber hand but while working on it I was thinking what way will I composite into an image. Then I thought, one cyborg is fun, but how about adding a size scale to the image by adding a smaller cyborg girl. So I grabbed the image I have created earlier on this week, and cooked something on the verge of fantasy and sci fi cyber reality. Below is a galery of few images in different stages, including some details etc. I am uploading a speed art video to my YouTube channel as we speak, so you can watch later on how I have created the hand, and then the final composite image. Enjoy!

Girls interested in a photo shoot - currently looking for female models in Tokyo area interested in cyber sci fi art, Japanese calligraphy body art, or portrait shots. I am always looking for new faces and bodies so e-mail me in interested.  Anyone interested in learning photoshop, photo editing or photo manipulation - contact me directly and we can discuss private workshops

My Youtube channel with free photoshop tutorials
Photography workshops in Tokyo - click for more details.
Hire a photographer in Tokyo
Buy original Chinese and Japanese calligraphy art
Check out my new portrait photography website!

It is possible that computers and robotics will kill us all off at some point but I plan to have as much fun with technology as possible until it happens. It is all down to learning the tools and how to use them in conjunction with one another, and it can be overwhelming in case of programs like photoshop, but it can be learned, and once you do you just down want to go back (if you are interested in learning photoshop, photo editing or photo manipulation - contact me directly and we can discuss private workshops). The same as it happened with cameras, when the digital ones phased out the film cameras. I know that film is still in use, but in all honesty, why bother. Digital is far more fun, clean and does not honk. Digital art and the literally endless creative possibilities it offers is all too good to pass on. I am already working on merging 2D with 3D and going completely mental with my sci fi projects. 

Girls interested in a photo shoot - currently looking for female models in Tokyo area interested in cyber sci fi art, Japanese calligraphy body art, or portrait shots. I am always looking for new faces and bodies so e-mail me in interested.  

My Youtube channel with free photoshop tutorials
Photography workshops in Tokyo - click for more details.
Hire a photographer in Tokyo
Buy original Chinese and Japanese calligraphy art
Check out my new portrait photography website!

Sci fi sexy cyborg girl photoshop manipulation speed art video

I decided to go fucking nuts with this one and spend tons of time polishing the details of the engine parts, armor and then blending the image with a background. The most time consuming part was creating the armor and all adding all the details, joints, engines, lights, lines, and so on. The final image is about 10,000 x 6000 pixels, so I am posting two 100% crops of the original image, so you can see some close ups. Good composite photography and photoshop manipulation are all about matching the light, perspective, and color. Having some sort of idea or a artistic concept of which direction to go with the image is also very helpful. Although I haven't used any reference photos, it often helps to look at some examples in case you need to get inspired. I have recorded a video on how tis image was created, from start to finish, and I will post it tomorrow on my Youtube channel. If you want to learn advanced photoshop and photo manipulation / composite photography, then check my photoshop workshops (one to one and online via desktop sharing).

My Youtube channel with free photoshop tutorials
Photography workshops in Tokyo - click for more details.
Hire a photographer in Tokyo
Buy original Chinese and Japanese calligraphy art
Check out my new portrait photography website!

I am working on a  new sexy cyborg girl photoshop manipulation, and it looks like this one will be by far the most complex one have created so far. I am about half way through and I already started a 145th layer in photoshop. The more details are in a composite image the better, and the more work you put into polishing those details the better, and those details take a lot of time. I ve been working on this 6h so far, and it seems that another 5h or so should do it. Regardless the time spent, I love working on my hot cyber girl army and sci fi projects. Very relaxing and keeps me sane in this more and more retarded world. Anyways, I thought I will share with you an something that is being created at the very moment. If you want to learn advanced photoshop and photo manipulation / composite photography, then check my photoshop workshops (one to one and online via desktop sharing). 

My Youtube channel with free photoshop tutorials
Photography workshops in Tokyo - click for more details.
Hire a photographer in Tokyo
Buy original Chinese and Japanese calligraphy art
Check out my new portrait photography website!

details

I took this photo today at my place. We had an amazing back light pouring through the window, being diffused by a paper cloth screen. I was taking photos for a new sci fi cyber girl photoshop manipulation and I just could not resist not taking a few silhouetted shots. So I brought this one into photoshop and had a bit of fun with it, added some textures, selective vignetting, my Chinese calligraphy art in ancient seal script, and the wings to complete the composition and add some mystery and fantasy elements to the photo. The text reads 別天地 and it means another world. Photography is great and all but photo editing, and especially photo manipulation and composite photography, is where the real creative fun starts. I find it very artistically fulfilling and relaxing at the same time. 

My Youtube channel with free photoshop tutorials
Photography workshops in Tokyo - click for more details.
Hire a photographer in Tokyo
Buy original Chinese and Japanese calligraphy art
Check out my new portrait photography website!

Flash photography has the great advantage of offering an immense control over light. You can sculpt it and bend it the way you want. It is great in working in confined spaces, where strobes would blast the place with light like x-rays. Flash throws some very hard light, but when softened up with some light modifiers like softboxes is just amazing. Here is a result of a short photoshoot at my place today, I added my calligraphy to make the image a bit more interesting and dill the negative space to the left. I dropped the opacity so the attention goes to the model, which is mirrored by the faded kanji (麗 - graceful).

My Youtube channel with free photoshop tutorials
Photography workshops in Tokyo - click for more details.
Hire a photographer in Tokyo
Buy original Chinese and Japanese calligraphy art
Check out my new portrait photography website!

model: Eccaia

Nude photography requires a lot of trust. Body art requires even more trust, as I have to touch my models to write on them, and sometimes I can write for a few hours, depending on the length of the text. Erotic photography goes further into the personal space of your model, so you really have to have her trust to be able to capture something truly exciting, but at the same time natural and not staged. Photography is the art of capturing the light and telling story with highlights and shadows. Why not convey something that entangles the mind, making you wander into the realm of eroticism. 

model: Eccaia

My Youtube channel with free photoshop tutorials
Photography workshops in Tokyo - click for more details.
Hire a photographer in Tokyo
Buy original Chinese and Japanese calligraphy art

Working on photos and editing tons of shots may lead to tunnel vision and resulting in similar type of edits. Lots of people use presets, not even knowing what they do. That includes the professional photographers as well. Some people don't even possess the skill to edit their own work, which is pretty scary. It is like a cook who buys veggies on the market and calls for help to cook the meal. Learning and studying will develop your artistic vision, and it is most likely to change over the time. I learn new skills on a daily basis, and my photoshop techniques improve quite rapidly. I am often revisiting some of my favoring works and re-editing them applying what I have learned since I worked on them. Sometimes I give photos a new twist. All in all I love editing 1 photo in many different ways. It leads to amazing discoveries. In this case the reason for editing is complex. One, is that I love this shot. Two, is that I love this calligraphy classic, and three is that this very classic is one of the mandatory subjects for my Master Instructor exams in calligraphy this year. 

model: Asuka / Japanese calligraphy - my copy of a Chinese classic Shu Pu from the early Tang Dynasty (7th century) by Sun Guoting, who was an absolute genius of cursive script.