Japanese hiragana syllabogram わ is based on the cursive form the Japanese kanji 和 (harmony). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 和, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram わ is a simplification of the cursive script form of 和, and it follows the same stroke order. Japanese hiragana syllabogram ろ is based on the cursive form the Japanese kanji 呂 (spine, backbone). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 呂, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram ろ is a simplification of the cursive script form of 呂, and it follows the same stroke order. Japanese hiragana syllabogram れ is based on the cursive form of the simplified form of the Japanese kanji 禮 (social customs, manners), i.e 礼. If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 禮, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram れ is a simplification of the cursive script form of 禮, and it follows the same stroke order. Japanese hiragana syllabogram る is based on the cursive form the Japanese kanji 留 (detain, fasten). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 留, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram る is a simplification of the cursive script form of 留, and it follows the same stroke order. Japanese hiragana syllabogram り is based on the cursive form the Japanese kanji 利 (advantage, benefit). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 利, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram り is a simplification of the cursive script form of 利, and it follows the same stroke order. Japanese hiragana syllabogram ら is based on the cursive form the Japanese kanji 良 (good). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 良, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram ら is a simplification of the cursive script form of 良, and it follows the same stroke order. Japanese hiragana syllabogram よ is based on the cursive form of the simplified form of the Japanese kanji 與 (participate in, give), i.e 与. If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 與, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram よ is a simplification of the cursive script form of 與, and it follows the same stroke order. Japanese hiragana syllabogram ゆ is based on the cursive form the Japanese kanji 由 (reason). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 由, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram ゆ is a simplification of the cursive script form of 由, and it follows the same stroke order. Japanese hiragana syllabogram や is based on the cursive form of Japanese kanji 也 (to be). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 也, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram や is a simplification of the cursive script form of 也, and it follows the same stroke order. Japanese hiragana syllabogram も is based on the cursive form of the Japanese kanji 毛 (hair, fur). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 毛, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram も is a simplification of the cursive script form of 毛, and it follows the same stroke order. Japanese hiragana syllabogram め is based on the cursive form of the Japanese kanji 女 (woman). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 女, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram め is a simplification of the cursive script form of 女, and it follows the same stroke order. Japanese hiragana syllabogram む is based on the cursive form of the simplified form of the Japanese kanji 武 (warrior, military). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 武, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram む is a simplification of the cursive script form of 武, and it follows the same stroke order. Japanese hiragana syllabogram み is based on the cursive form of the Japanese kanji 美 (beautiful). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 美, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram み is a simplification of the cursive script form of 美, and it follows the same stroke order. Japanese hiragana syllabogram ま is based on the cursive form of the Japanese kanji 末 (top end, tip). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 末, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram ま is a simplification of the cursive script form of 末, and it follows the same stroke order. Japanese hiragana syllabogram ほ is based on the cursive form of the Japanese kanji 保 (protect, guarantee). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 保, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram ほ is a simplification of the cursive script form of 保, and it follows the same stroke order. Japanese hiragana syllabogram へ is based on the cursive form of the simplified form of the Japanese kanji 部 (section, department). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 部, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram へ is a simplification of the cursive script form of 部. Possibly one of the most abstract examples of hiragana, via extreme simplification of the character 部 in cursive script. Japanese hiragana syllabogram ふ is based on the cursive form of the Japanese kanji 不 (negative, un-, non-). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 不, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram ふ is a simplification of the cursive script form of 不, and it follows the same stroke order. Japanese hiragana syllabogram ひ is based on the cursive form of the Japanese kanji 比 (compare). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 比, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram ひ is a simplification of the cursive script form of 比, and it follows the same stroke order. Japanese hiragana syllabogram は is based on the cursive form of the Japanese kanji 波 (wave). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 波, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram は is a simplification of the cursive script form of 波, and it follows the same stroke order. Japanese hiragana syllabogram の is based on the cursive form of the Japanese kanji 乃 (possessive particle). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 乃, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram の is a simplification of the cursive script form of 乃, and it follows the same stroke order. Japanese hiragana syllabogram ね is based on the cursive form of the simplified form of the Japanese kanji 禰 (ancestral shrine), which is 祢. If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 禰, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram ね is a simplification of the cursive script form of 禰, and it follows the same stroke order. Japanese hiragana syllabogram ぬ is based on the cursive form of the Japanese kanji 奴 (guy, slave). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 奴, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram ぬ is a simplification of the cursive script form of 奴, and it follows the same stroke order. Japanese hiragana syllabogram に is based on the cursive form of the Japanese kanji 仁 (benevolence). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 仁, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram に is a simplification of the cursive script form of 仁, and it follows the same pattern of the stroke order. Japanese hiragana syllabogram な is based on the cursive form of the Japanese kanji 奈 (Nara). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 奈, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram な is a simplification of the cursive script form of 奈, and it follows the same pattern of the stroke order. Japanese hiragana syllabogram と is based on the cursive form of the Japanese kanji 止 (stop, halt). If you look at the diagram above, you will notice a gradual simplification and reduction of brush strokes of the Chinese character 止, starting from the standard script (楷書), through the semi-cursive script (行書), to the cursive script (草書). Syllabogram と is a simplification of the cursive script form of 止, and it follows the same stroke order. |
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AuthorPonte Ryuurui (品天龍涙) Archives
August 2020
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